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6 Under-Appreciated Classics Of UK Thrash (Pt.2)

The UK. Home to more than just fish 'n' bloody chips!

Source // on-parole.com

Part 1 of our under-appreciated classics of UK thrash highlighted the likes of Pariah, Seventh Angel & D.A.M among others but there’s plenty more quality thrash from good ol’ Blighty still knocking around, collecting dust at the bottom of the thrash pile….which is tantamount to sacrilege!

In actuality, the UK thrashed just as hard as Germany, Brazil and the States and Worship Metal has selected another 6 unsung classics of UK thrash that deserve to be re-evaluated, re-assessed and re-played at eardrum bursting volume!

Thrash it up, UK style!

6. Slammer – The Work Of Idle Hands (1989)

Source // on-parole.com

Source // on-parole.com

Must Hear Track: “Hellbound”, it’s like thrash nirvana (a transcendent state not Kurt Cobain and his flannel-shirt whining). Classic acoustic run-in meets the wallop of prime late 80’s crunch resulting in a rip-tide of thrash!

Slammer’s debut, The Work Of Idle Hands, has aged considerably well with its professional production and solid foundations belying it’s semi-lost status. Plastered with a street-smart atmosphere that pervades throughout, the heavy use of gang-vocals and Paul Tunnicliffe’s convincing raspy vocals give each track an urbanised edge and a sense of credibility that still holds true. “Tenement Zone” and the aforementioned ‘must hear’ track “Hellbound” stand-out from the feral pack but the entire album is worthy of a clued-up thrashers undivided attention.

Dripping with more venom than a particularly pissed off rattle snake, the likes of “Razor’s Edge”, “If Thine Eye” and “No Excuses” strike hard and fast, showcasing a level of aggression and precision that still impresses. While Slammer’s sound may not have been original come 1989, they proved they could still hold their own amongst the second tier acts that followed in the wake of Death Angel, Exodus, Testament and The Big 4 etc.

Besieged by a hostile press, it’s actually unfathomable that this quality release wasn’t received with arms wide open by the British public. Highly reminiscent of Testament at their most accessible, Slammer had a sound that was tailor-made for both the UK and American market and should have lead to significant album sales and worldwide recognition. It didn’t. But that was the sorry situation for the majority of the UK’s thrash contingent.

Liked that? Try this: Insanity Addicts, 1990’s 4 track EP picked up where The Work Of Idle Hands left off but added some early 90’s Anthrax bounce to their already powerful oeuvre.

5. Toranaga – God’s Gift (1990)

Source // azintex-music.com

Source // azintex-music.com

Must Hear Track: “The Shrine”; borderline hit single featuring obligatory doomy intro, a tempo shift into thrash heaven and a chorus designed to impale you to the nearest wall! 

The UK’s answer to perennial thrash overlords Overkill, Toranaga’s God’s Gift remains an undervalued mix of classic metal, NWOBHM influences and power metal bombast, bolstered by the bands flirtation with doom tempo’s and thrash’s shrill vocals and chug-heavy riffs.

Frontman Mark Duffy certainly had Bobby ‘Blitz’ Ellesworth’s delivery down pat but Toranaga were certainly no carbon copy of those New Jersey noiseniks, their grasp of melody also distancing them from the more abrasive sounds of Xentrix, Anihilated and Onslaught.

Originally released on major label Chrysalis, the future in 1990 appeared decidedly bright for Toranaga and God’s Gift certainly had the quality and diversity to propel them to the upper rungs of the UK thrash ladder. “Execution”, “Food Of The Gods” and “Psychotic” were the de rigour energetic up-tempo thrashers while the epic and multi-layered “The Shrine” and the oddly beguiling “Black Is The Mask” provided a thrilling counterbalance to the heads-down neanderthal bludgeoning of their peers.

Unfortunately, Toranaga’s bright future would fade to black pretty damn quick. The band failed to capitalise on their major label backing while Chrysalis let a potentially great band slip through their fingertips, with Toranaga imploding relatively soon after God’s Gift‘s release.

Recently re-released by Divebomb Records, this UK thrash gift from the gods should be accepted with the gratitude it so obviously deserves. A classic album from an era of UK thrash that, for a very short time, appeared to have the world in the palm of its hand!

Liked that? Try this: Debut album Bastard Ballads (1988). This 6 tracker may be short and sweet but its power/thrash milieu retains its charm.

About Chris Jennings (1367 Articles)
I love Heavy Metal. Always have. Always will. As editor of Worship Metal - a site dedicated to being as positive about Metal and its myriad of sub-genres as possible - my aim is to 'worship' Metal through honest reviews, current news and a wide variety of features; offering the same exposure to underground bands as we do to mainstream/well known acts. Our mantra; the bands are partners and we exist to serve the bands \m/

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