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6 Under-Appreciated Classics Of American Thrash Metal (Pt 1.)

Forget The Big 4! These Overlooked Classics Of U.S Thrash Metal Thrashed Just As Hard!

Source // recordsale.de

U.S thrash generally takes the majority of the plaudits when it comes to singling out the genres finest moments (Reign In Blood, Master Of Puppets, Bonded By Blood, The Legacy etc) so we’ve decided to turn the spotlight on those albums that snuck in under the radar without receiving the respect, or acknowledgment, they blatantly deserved at time of release.

This is for the true thrashers! No posers allowed!

Holy Terror – Terror And Submission (1987)

Holy Terror – Terror And Submission (1987, Vinyl) - Discogs

Holy Terror‘s debut from 1987 remains one of the more aggressive albums from thrash’s golden age and this cult band deserved far greater acclaim for this and its equally accomplished follow-up, Mind Wars.

One of the most original sounding thrash bands of the 80’s, Terror And Submission recalls the classic clatter of Venom and Possessed and retains the filthy sound that thrash originally pioneered before Metallica and Megadeth etc bought a commercialised sheen to the genre. Still indebted to the New Wave Of British Heavy Metal, “Evil’s Rising” particularly paid homage to the classic sounding, harmonised riffs of Diamond Head and Tygers Of Pan Tang while “Blood Of The Saints” updated Judas Priest‘s British Steel for speed obsessed thrash enthusiasts.

Caught between speed metal’s barely in control histrionics and the melody of the NWOBHM, it’s the insanely varied vocals that push Terror And Submission into the realms of ‘classic’ status. Delivering a tour-de-force of ear-shattering shrieks and screams, melodic high’s and deathly low’s and thrash metals’ obligatory mid-range rasp, Keith Deen should be revered as one of the finest vocalists in thrash metal history; precious few could compete with his sheer skill and diversity.

Acknowledged as a semi-obscure classic among thrash die-hards, Terror And Submission remains a unique and under-appreciated entry in the history of thrash metal.

Viking – Man Of Straw (1989)

Viking – Man Of Straw (2013, CD) - Discogs

A classic slice of technical thrash, Viking‘s Man Of Straw had all the necessary ingredients to propel them into the upper echelons of thrash’s hierarchy but would prove to be their last album before regrouping with Dark Angel‘s Mike Gonzalez and Gene Hoglan and Vindicator‘s Justin Zych to record 2015’s No Child Left Behind.

A massive improvement on their Do Or Die debut, the incendiary guitar work of Brett Eriksen (Dark Angel) and the improved songwriting and performances across the board marked out Viking as a thrash metal band to be reckoned with.

From the barely in control thrash attack of “They Raped The Land” to the riff-fests of “White Death” and “Man Of Straw”, and the truly epic Sodom-esque “Winter”, Viking rarely faltered on an unsung classic custom built for fans of Vio-lence and Dark Angel. It speaks volumes that Brett Eriksen went on to ply his trade with Dark Angel and contribute massively to their classic album Time Does Not Heal as Man Of Straw is the perfect precursor to the exhausting number of riffs and vocal patterns found on Dark Angel‘s seminal 4th album.

Believer – Sanity Obscure (1990)

Believer – Sanity Obscure (1990, CD) - Discogs

Bordering on death/thrash, Believer‘s second album was a real heavy-hitter. Technical but still infused with riffs that crushed as well as confused, Sanity Obscure may well be one of thrash metal’s most ‘obscure’ albums but it’s also a minor classic and should appeal to any fans of the wildly experimental and progressive stylings of Death, Voivod, Atheist and Coroner.

The all encompassing chaos on display throughout Sanity Obscure‘s 8 furious tracks is punctuated by dissonant riffs, unpredictable stop-start rhythms and arrangements so complicated they must have been a bugger to perform live. Without sacrificing that all important moshability, Sanity Obscure impressed most with it’s sheer unconformity, accomplished musicianship and tortured vocals courtesy of vocalist/guitarist Kurt Bachman.

Believer’s cover of U2‘s “Like A Song” may have been a slight mis-step but when balanced with the exquisite and completely bonkers “Dies Irae (Day of Wrath)”, the relentless “Stop The Madness” and the progressive masterpiece of the title track itself, Sanity Obscure should be labelled as nothing less than an utter triumph.

Warning: Trying to headbang to Sanity Obscure‘s stop-start chugging will result in the need for spinal realignment; it’s still worth a go though!

About Chris Jennings (1986 Articles)
I love metal. Always have. Always will. As editor of Worship Metal - a site dedicated to being as positive about metal and its myriad of sub-genres as possible - my aim is to 'worship' metal through honest reviews, current news and a wide variety of features; offering the same exposure to underground bands as we do to mainstream/well known acts. Our mantra; the bands are partners and we exist to serve the bands \m/

5 Comments on 6 Under-Appreciated Classics Of American Thrash Metal (Pt 1.)

  1. You want a real underrated Thrash classics find Sacrilege bc’s “Party With God” or Blind Illusion’s “The Sane Asylum”

  2. Great list of overlooked bands. Best music genre ever; a handful made millions and the rest can’t pack a small bar.

    Othwr worthy nominees: Morbid Saint, Onslaught and Whiplash.

  3. Thank you ? for the Atrophy review

  4. Holy Terror!! Yas! I think Mind Wars is still one of the best speed/thrash metal albums ever released

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