Morbid Angel – Blessed Are The Sick
Following up Altars Of Madness was always going to be tricky but Morbid Angel cast off the shackles of their genre-defining debut by further establishing themselves as one of the most weirdly unique sounding outfits to emerge from death metal’s first wave.
Morbid Angel operated without limitations, the past having no baring on their own innovation and it left them free to explore new realms. Their blackened souls were further charred via Trey Azagorath and Richard Brunelle’s inhuman riffs, David Vincent’s outstanding (and most importantly audible) vocals and Pete Sandoval’s tireless drumming invention which, when so flawlessly combined, flung the band headfirst into the abyss
With other-worldly song structures creating a singular vision, Morbid Angel’s ability to achieve true heaviness by slowing down (as opposed to many of their peers speeding up in order to reach similar peaks) led to one of the most unique collections of audible nightmares ever conceived and a collection of songs that somehow managed to invoke pure chaos while somehow remaining catchy.
Atheist – Unquestionable Presence
The finest progressive death metal album ever conceived? We certainly think so and with Unquestionable Presence, Atheist transformed the death metal landscape in a blitzkrieg of technical bass lines, dissonant and warped riffs unaccustomed to generic structure and an almost improvised feel to Steve Flynn’s commanding drumming.
Led by Kelly Schaefer’s rasp-inflected growl, the primitive nature of death metal was dissolved overnight within a framework of challenging lyricism and even more challenging musicianship. Structured chaos reigned as thrash, death, jazz, fusion and prog rock collided in an esoteric force of will, fuelled by integrity, vision and an unwavering commitment to forge forward into new terrain. While Atheists’ debut, Piece Of Time, had turned heads, Unquestionable Presence blew minds.
Unquestionable Presence remains a landmark record in the history of death metal and it’s more than a little unnerving to think that this pioneering piece of artistry came from the minds of 4 human beings.
Unquestionably unmatched, unparalleled and utterly unique.
Suffocation – Effigy Of The Forgotten
Where the fuck did this come from?!
In 1991, Suffocation were beyond brutal, they were another beast entirely and while Effigy Of The Forgotten must have come as quite the shellshock to the uninitiated; the furious technicality on display and multiple layers that rewarded the brave with each subsequent listen bringing into question the very nature of what death metal could achieve….and how extreme it could go!
With the most brutal vocals imaginable, courtesy of Frank Mullen’s pioneering throat savagery, a monumental and groundbreaking performance from Mike Smith on drums and some of the first breakdowns heard in death metal, Effigy Of The Forgotten was a true unknown and changed the face of death metal overnight.
Technical death metal had arrived!
Honourable mentions: 1991, the greatest year in death metal history, was so full of outstanding releases that we had to leave out the likes of Asphy’x The Rack, Grave’s Into The Grave, Cancer’s Death Shall Rise, Benediction’s The Grand Leveller, Broken Hope’s Swamped In Gore, Cannibal Corpse’s Butchered At Birth, Gorguts’ Considered Dead, Gorefest’s Mindloss, Master’s And On The Seventh Day God Created…..the list goes on and on and on. Apologies if we left your favourite out!
Look out for a follow-up feature that highlights the often forgotten death metal albums of 1991 in the near future!