German thrash was perfected by the Teutonic terrors of Sodom, Destruction and Kreator….the unholy trinity of German Thrash!
Sodom – Persecution Mania (1987)
Sodom‘s second full length album marked a notably drastic change of sound from the clattering black metal of 1986’s Obsessed By Cruelty, to the kind of thrash metal that continues to define Sodom’s persona nearly 35 years later.
Opening with the vicious “Nuclear Winter”, Persecution Mania instantly set out its stall as Tom Angelripper (vocals and bass), Frank Blackfire (guitars) and Witchhunter (drums) looked to political, social and war themes for inspiration. This would become a consistent motif as time went on but was arguably perfected at the first time of asking with “Electrocution”, the title track itself and, particularly, “Bombenhagal” delivering the goods as Sodom went about delivering the tightest, meanest, leanest, collection of songs of their career.
Destruction – Infernal Overkill (1985)
These Germanic, bullet-belt strewn boys made one hell of an entrance when their full-length debut detonated over 35 years ago.
Blackened thrash was the order of the day and Infernal Overkill came out charred, scorched and searing; the heat generated from this trio of tormentors manifesting itself as fervourous thrashers “The Ritual”, “Thrash Attack” and “Antichrist”.
While Infernal Overkill may have lacked subtlety and finesse it more than made up for its shortcomings in frenzied raw power and youthful exuberance.
Destruction would go on to define the Teutonic thrash scene and give rise to the unstoppable force of death metal….but it all began here!
Kreator – Pleasure To Kill (1986)
This precociously vicious shitstorm instantly struck a chord with thrashers worldwide and with Pleasure To Kill, Kreator found themselves leading the way in the Teutonic scene. Unhinged to the point of incarceration, Pleasure To Kill‘s track-list borders on a greatest hits selection with the wall of noise maelstrom of “Ripping Corpse”, the unforgettable “Pleasure To Kill”, the death metal influencing “Riot Of Violence” and the epic and surprisingly complex “The Pestilence” all meriting classic status.
An inspiration to countless bands, death metal and grindcore legends Napalm Death covered “Riot Of Violence” and even they couldn’t match the intensity and ferocity of its original incarnation!
Kreator altered the German thrash landscape with Pleasure To Kill and frankly, mayhem of this calibre never sounded so good again!