Convulse – World Without God
One of the most brutal releases from the first wave of death metal, these Finnish nightmare-makers harnessed the dirty downtuned guitar tone made famous by Entombed, Dismember etc, added ultra guttural vocals courtesy of Rami Jämsä and unleashed an eerie, sonically vicious cult classic in the grotesque shape of World Without God!
Convulse went darker than most and saddled with a sound befitting the era, their unremittingly dense, claustrophobic tone and complete lack of subtlety adhered faithfully to death metal’s original modus operandi. Anyone with a taste for musical violence found their appetite satiated via the utter depravity and barbarity on display.
A true cult classic, World Without God may not have the reputation afforded the majority of the albums on this list but its pedigree remains undisputed.
Pestilence – Testimony of the Ancients
Over the years, Pestilence may have dallied with thrash (1989’s Malleus Maleficarum) and cavorted with progressive jazz-fusion (1993’s Spheres) but their spiritual home has always been death metal and when they followed up their masterpiece, Consuming Impulse, with one of the most forward-thinking albums of the period in Testimony Of The Ancients, Pestilence’s standing as cult heroes was firmly set in stone.
Distancing itself from the norm, Testimony Of The Ancients took the standard approach of 8 full-length tracks (notably, 8 progressive death metal epics) and interjected succinct and atmospheric instrumental interludes, one-by-one alternating power and grace to achieve a formidable and other-worldly aura.
Because of this, Testimony Of The Ancients remains one of the most unique records in death metal’s illustrious history; experimental song structures jostling with obligatory neck-wreckers culminating in an absolutely perfect rendition of all that death metal can be when boundaries are unceremoniously broken.
Dismember – Like An Everflowing Stream
Alongside Entombed’s Left Hand Path, Dismember’s Like An Ever Flowing Stream is one of the most crucial documents of the pioneering Swedish death metal scene; establishing a format and sound that’s still retro-fitted by a leg of bands to this very day; often replicated in a fruitless attempt to invoke the same response this primitive beast induced back in 1991.
Featuring the obligatory downtuned, ultra-distorted guitar and bass riffs – ably backed by Matti Karki’s feral barks, inhuman gurgles and animalistic roars – this is the sound of Scandinavian death metal perfected and each and every song on this all-time classic still slays, grinding its way into your sub-conscience with each serrated buzzsaw riff.
The best thing to ever come out of Sweden? Probably.