Razor – Shotgun Justice (1990)
Canadian thrash’s answer to Slayer’s all-conquering Reign In Blood, Razor’s Shotgun Justice (and yes, some people are gonna be pissed we haven’t included their favourite Razor album but tough shit, it’s our list) is as potent as ever and is a balls-to-the-fucking-wall shotgun blast of ultra-aggressive, high speed thrash!
Fuck your technical/progressive thrash bollocks, Razor specialised in working man’s thrash that hit hard and hit fast and not only were they plenty pissed, they were operating at the top of their game. It’s no stretch to suggest that the likes of the relentlessly abrasive “Meaning Of Pain and “Parricide” should be considered career highlights.
Beloved original frontman Stace “Sheepdog” McLaren may have departed but the throat-shredding shouts of the incoming Bob Reid were more than capable of delivering the goods and Razor were arguably never as hostile as they were here.
Entropy – Ashen Existence (1992)
A progressive and technical thrash/death colossus, Entropy’s debut album, Ashen Existence, may not be as well-known as it should be but that just means that when you do discover it, you’re in for one hell of a welcome surprise!
With Ger Schreinert’s vocals swiftly alternating between death growls and raspy screams and wails, Entropy’s genius lay in their ability to hop between sub-genre at will, with changes in tempo and time signatures throwing endless curveballs throughout each and every, lengthy, track.
This was ambitious thrash, buoyed by technicality and hell-bent on challenging the notion of what thrash could be.
While, at times, Ashen Existence may sound like Entropy crammed 3 albums of material into the one song (never mind the one album!) – and the sheer number of ideas thrown around with wild abandon can often be overwhelming – if you dig a little deeper it’s abundantly clear that Ashen Existence was the Canadian answer to Dark Angel’s Time Does Not Heal…..and praise doesn’t really get any loftier than that!
Dead Brain Cells – Dead Brain Cells (1987)
How’s this for a debut!
To those in the know, DBC were a crossover thrash phenomenon. While those outside of the thrash underground may not have woken up to DBC‘s intrinsic charms until much later (if at all), those who caught on early to their crunching mix of hardcore-inflected technicality and speed were instantly taken by a band who should have made huge waves in the scene.
While “Lies” gave any late 80’s crossover act a run for their money it was the likes of “Tempest” – with its more ‘expansive’ leanings – which truly showcased what these Canadians were capable of….and would go on to achieve!